Monika Blichar

LIVE INTERVIEW: LIVE PAINTING WITH VERA IN TORONTO!

 

Check out Vera Malitskaya, one of the lastest live painters to join the Art World Expo Toronto event on October 2! Vera will be live painting on site and has invited guests to participte in the process of creating a piece! Her piece will be auctioned off at the end of the evening with 50% of the funds going directly to the artist and the other 50% to Make and Break Arts Foundation. MABAF supports Art World Expo’s production costs as well as varied initiatives including Kids Summer Art Programs in North Vancouver, Monstars and Beasts Haunted House and arts programming through operational costs.

For more information about Vera’w work, please visit: http://www.veramalitskaya.com/

The Art of Event Planning: Kat Kou Events

The Art of Event Planning: An Interview with Kat Kou of Events by Kat Kou

An Art World Expo Spotlight 

By Alyssa Laube

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Not all of the artists that attend the AWE are exhibiting. As a matter of fact, many of the ticket holders are artists who have come to admire the work of likeminded people in their city. One of those ticket holders was Kat Kou, whose experience as a makeup artist drew her to the Expo. Upon arriving at Science World, she “fell in love with the whole concept,” and later used her skill with makeup to work at one of Monika’s Halloween events.

It was this skill that brought her to other special events, where she got a behind-the-scenes look at how they were run. Before long, she found herself “fascinated with the creative process of event planning,” and she moved to Toronto to explore her passion. “Because I always enjoyed upbeat, social environments, starting an event planning company was easy for me,” said Kat, about starting up her business, Events by Kat Kou. Since it’s inception, the company has hosted “anything from Sick Kids fundraisers to wine and cheese nights, comedy functions, and speed dating events.” Recently, she planned an indie pop show at a local Toronto bar, and in the future, she will be planning Toronto’s Art World Expo.

“I chose to work with AWE for many reasons,” said Kat, about her involvement with the Expo. “For one, I am an artist myself and enjoy surrounding myself with creative environments. It’s definitely not your average art event, as they’re always upbeat, vibrant and full of talented people! It has been successful in Vancouver for years now and I want to see the event grow. I think that AWE’s going to be big in Toronto and I am honoured to be part of the success.”

Her high opinion of the Expo combined with her talent as an event planner should ensure that it’s a night to remember. “To be in the event planning business, you definitely have to be a people person. I have always enjoyed being around people, so having an energetic and bubbly personality will get you places,” said Kat, she she has it in spades.

“I have always taken pride in my events being unique. I do not believe in limiting myself and always find a way to collaborate with local talents,” she continued, about her approach with Events by Kat Kou. “ It could be something as simple as a staff party, but I always manage to make sure everyone has a good time. Guests are usually encouraged to dress up to match the theme of event, which always makes things a lot more fun!”

It will be exciting to see how Events by Kat Kou leaves its mark on the Art World Expo. The combination of a fantastic event with a fantastic event planner cannot disappoint, especially when both sides believe wholeheartedly in the cause they’re supporting. Stay tuned to learn about which direction the event is headed in, and watch http://www.katkou.com/ for other great ways to spend your day.

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Thank you to our Platinum Sponsor:

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Last Day to Submit at the Early Bird Rate-Vancouver!

Are you an artist who needs some exposure for your art? Do you create something that is unique and out of the box?

We are looking for YOU! Be sure to take advantage of the early bird rates as an Art World Expo TM exhibitor and join one of the most interesting shows in Vancouver, and now Toronto!

Application forms for Vancouver artists and more information can be found: HERE

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Bringing Back Bubblegum Pop: An Interview with Solo Artist Indigo

By Alyssa Laube

Indigo Headshot

“The genre of pop has always been natural to me,” said musician Indigo, who will be performing at the Art World Expo in Toronto’s Hard Rock Cafe this year. “This isn’t a surprise considering I grew up in the 90’s and 2000’s when pop, R&B and hip-hop were dominating the music world.” Certainly, the powerhouse songstresses of that time can be heard in her songs, ranging from the lively hooks of Madonna and the Spice Girls to the soulful crooning of Christina Aguilera and Alicia Keys. As a matter of fact, Indigo seems to emulate the charm of bubblegum pop’s poster child, Britney Spears. It’s the upbeat sound combined with the darling image that evokes images of America’s (ex) sweetheart, but although the parallel can be made, Indigo brings something fresh to the table. Like Britney, she’s a solo act who describes herself as “flexible” when it comes to who she works with, but all-in-all, she’s more involved, unprocessed, and authentic. Basically, every Indigo original starts and ends with her. Along the way, fellow musicians and producers may lend a helping hand, but at the end of the day, it all comes back to Indigo.

 

Although she’s a true indie artist, her live shows (such as the one that will be taking place at the Hard Rock) are played with a three-piece backing band. James Karfilis, “a good friend and an incredible artist with many creative projects on-the-go,” plays guitar, sings backup, and helps co-write. Ben Müller, the bassist, and Bradley Connor, the drummer, joined Indigo on stage together with their talent, musicianship, and admirable stage presence at hand. For Indigo, who “looks for heart, commitment, and drive in people,” this was exactly what she needed. The trio gives her shows a full sound and a high, positive energy. It’s the group’s expertise and friendly dynamic that promises a good night out of any Indigo performance, which usually consists of both originals and cover songs.

 

“Throw back tunes are a great way to connect with the audience because it’s speeds up the process of getting them comfortable with the band,” said Indigo, about her choice of covers. “It hits a nerve that makes them want to dance or sing along. For a performer, that’s the dream!”

 

Rather, that’s one of the dreams. Another one of Indigo’s is to publish an EP, but it will soon become a reality. The five-song record, entitled Child, is being released track-by-track (and two are available on iTunes already), but will be “re-released as a collection eventually”.

 

“All five tracks follow a chronological story, but due to money and time, I’ve had to spread them out over the years. I’m learning as I go and it’s taking me longer than expected, but in the end, I’m more interested in quality over quantity. I have another four to five song EP in mind for the future, once Child is completed.”

 

When it comes to inspiration for the albums, Indigo takes from the little things in life. “Honing on on every single detail” and taking notes on the interesting parts of overheard conversations has inspired many songs for the artist, but she was also heavily influenced by her childhood.

 

“My parents listened to a lot of world music when I was a wee one,” she recollected. “My dad played the Arabic tabla and the didgeridoo, and my mom was a professional belly-dancer. She took a couple of qanun lessons and they always had tambourines hanging on the walls. Growing up, I didn’t know how unique my childhood really was, but now, I see how lucky I was to be introduced to such exotic sounds and visuals so early on. I used a didgeridoo in the first four bars of ‘Mercury Retrograde’, not only because I think it sounds cool and works with the song, but also as a shout out to my dad. As an artist, I naturally gravitate towards those familiar sounds and I intend on incorporating them into my work in the future. It keeps me grounded and feels like home.”

 

Hopefully, these sounds will be heard on the upcoming releases. The trademark of most pop songs is that they’re somewhat formulaic, so the addition of an uncommon rhythm or instrument would undoubtedly give Indigo the upper hand. For now, she can use her tender (but powerful) vocals and admirable songwriting chops to gather crowds, including the show at the Hard Rock.

 

“The venue is a huge draw for people – it’s a household name that’s reliable. About two years ago, I was watching other artists play on that very stage and thought to myself, ‘It must feel great to be up there,’” she reminisced. “Now, it’s my turn.”

 

See Indigo play at the Hard Rock at this years Art World Expo in Toronto, and

Visit her website to listen and learn more about Indigo!

 

Photo credit: Madelayne Hajek

Painting Dreams in France-Summer Art Tour 2015

The Dream was to travel to another country and take some time to create. Some real uninterrupted painting time in our corner of the world was definately needed-especially since most of the year, we are busy coordinating our shows and running our studio.

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Last summer, The Dream came to life when a group of our studio goers got to talking about getting away on a tour to France. Lynda Wigley, a well versed lawyer and profound traveller, started the conversation after bringing in photographs of sunflowers to paint. Most of our students bring in photos, but Lynda had a lot of these wonderful photos and with each class, she started to open up more and more about her experience in Southwest France, Dordogne to be precise. Each week, we noticed that the enthusiasm about a painting retreat in France was gaining more interest. Why not try to take a tour in 2015 we all thought? With that, the idea was born and we managed to fill 10 spots (we have one more seat left!) and are taking off on July 11-25, 2015.

Over the last year, we have excitedly signed up 8 fabulous participants to join us on this trip. In the next few posts, you’ll have a chance to meet each artist or gallery owner and as we move towards our departure, you’ll also get some of our updates about our trip and how even from Vancouver or Canada, you can get involved in being a part of this wonderful adventure!

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We have been fundraising for the group and individually, each artist and gallery has been working hard to ensure that the trip is amazing! Our main goal is to be sure that MAB Art Studio & Boutique Gallery has enough funds to sustain itself during the month our owner Monika Blichar is away as we have 150+ children coming in for our annual art camp. Monika has been painting a series of 40 paintings each for $100 to support the studio. Thank you to all of you who have bought one of the originals and those of you who even bought some of the cards that she’s made out of the paintings. Currently, the pieces that are available are below. If you are interested, please send us an email at artists@theartworldexpo.com and we’ll make sure you get your piece! You can also buy an art card or print at www.mabartstudio.com/store 

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These three pieces below are available! Get your own original by rising star Monika Blichar today! Each is only $100 and supports the studio kids camps this summer! If you would like to contribute to the studio kids camps this summer, we encourage you to visit: http://www.gofundme.com/kf8vig  or check out our updates on our Facebook Page https://www.facebook.com/pages/Painting-Dreams-International-Art-Tours/968374583192403?fref=ts

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We are also selling advertitsing spots to companies who might like to be involved and gain some exposure on this trip! If you have a business who might benefit from some international expsoure, be sure to check out our advertising opportunities. We have everything from stickers on our luggage, for a mere $20, to product placement of your products in three different countries in Europe. You can download the advertising order form: PAINTINGDREAMSADVERTISINGLETTERpdf

 

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Get your logo on our luggage for only $20! Order 604 999 6177

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We also have a fantastic selection of art cards and masks by Art by Edy and Coastal Storm Gallery. Proceeds from the sale of these kid friendly items support our studio while we are away. Be sure to grab one of these cards and masks for a kid in your life and help us support creativity for kids in our community. Order: www.mabartstudio.com/store We have some great Canada Day Masks here just in time for our National Holiday!

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We also wanted to thank all of our partners and advertisers to date for helping make this trip happen!

twinpeaksconstruction     ptm  Make-Break-LogoCMYK_SML

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          Carolyn Bruce Designs                           Coastal Storm Gallery 

Big Eyes, Pouty Lips An Interview with Nicci Battilana (a.k.a. Nicci Dot C A)

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by Aly Laube

About: Nicci Battilana, also known as Nicci Dot C A, is a mixed media artist who creates colourful and playful portraits of what she calls her “Girlz”. The Girlz are doll-like characters with bold features, and each has their own quirky (and sometimes outlandish) personality. Nicci’s work can be seen on greeting cards, prints, clothing, bags, mailboxes, doors, and more! For this reason, she calls her work “functional art”. You can see or purchase some of Nicci’s functional art at this year’s Art World Expo!

 

When did you first start doodling what would eventually become your “My Girlz” collection?

I have dabbled in doodling pretty much since I could clutch onto a crayon, but the focus on “My Girlz” began in the very expressive mid-to-late eighties. They started out as very simplistic and angular, and were expressed in dark, earthy colours (due to the available art supplies at the time). It was nothing like my curvy Spring-coloured Girlz of today!

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Why did you choose to sell your products as prints and greeting cards? 

I used to paint on stretched canvases all the time, but they began to take over our home a couple of years ago. My good friend and fellow artist, Violette Clark, suggested that I begin working out of an art journal. This was a great way for me to experiment and expand my work, besides saving space in my home! However, I missed sharing my work with others, so I started making prints & greeting cards of my favourite journal paintings. What better way to share art with your loved ones than with a fun, cheerful, cheeky card from a local artist?

How do you create separate personalities for each of your “Girlz”? 

They tell me what and who they want to be. I never plan my work, as my Girlz are meant to evolve from within. I just begin with light and pencil-drawn circles and somehow see them peeking out at me. Imagine looking into a mirror that is foggy from the shower steam. Staring into that mirror as the fog clears, you slowly see your own face emerge in the frame. That is similar to how my Girlz introduce themselves to me.

Your work is slightly reminiscent of childhood toys such as Barbies and Bratz. What inspired you in your childhood that might’ve lead to your art today?

I loved Jim Henson’s Muppets as a child (and still do!) because of the idea that grown adults could “play” for a living. Carrying some of the best aspects of childhood throughout our lives while making others happy; Who wouldn’t want that? I was also inspired by the band Duran Duran’s RIO cover when I was a teenager. It was a famous art portrait by Nagel, and the female face really pulled me in. To me, the eyes are the key!

As for toys, I remember when Bratz first hit the shelves. I was so happy! I thought, “Wow, someone else out there speaks my language” (big eyes, full, pouty lips,  and heads a little too big for their britches)!

What’s your best seller? 

Lately it has been the Girlz that have a bit of an otherworldly feel and some tongue-and-cheek humour, as though they are visiting from a different realm.

How would you describe your artistic style? 

I say it’s “mixed media with no rules”, but maybe the true definition should be something along the lines of  “a mix of Disney-like female characters, drenched in Kool-Aid, with a dash of Tim Burton and a whole lot of thick, black eyeliner!”

Can you tell the story of how you first started painting on clothing? 

As a new artist and high school student with no money to buy stretched canvases, I decided to become my very own walking art gallery. I have a closet full of my old hand-painted jean jackets, pants, and (of course) bags! Since I haven’t worn a painted jacket in a few years, I’ve recently taken my sewing scissors to a few and turned them into wrist-let bags. There are some jackets that I just can’t bring myself to re-invent, though.

What is “functional art” and why do you like creating it?

Functional art is art that can be used in for variety of functions (i.e.: clothing, hand bags, greeting cards, doors, mail boxes, etc). Some people stop seeing the art that they loved enough to hang on their wall just because they’re used to it being there. It becomes invisible. Functional art is moved. It’s used, so it continues to live.

Which mediums do you use to create your art?  

Acrylic paint is my number one favourite medium. Next, I love using Caran D’ache watercolour crayons with my fingertips. They’re a great tool for bringing my acrylic art to life! Plus, dare I call glitter a medium? I do use it a lot less than I used to, but I still love it, along with Swarovski crystals. All Girlz need a little bling, even the creepy ones.

How did having children change your life as a person and an artist? 

My art was a hobby before we had our son. By day I worked in a cubicle, hated it (I loved most of my co-workers but hated the desk job), punched the time clock, and then would come home to paint and be happy. After we had our son and my maternity leave was over, we decided to raise him to believe that you can do what you love in life and succeed at it. So we tightened our money belts and have been sticking to our plans ever since! I’ve taken a couple of short part-time jobs to bring in some steady income over the years, but we always come back to centre. I have a wonderfully supportive husband, which enables me to be here for our son, create and teach art, and host “Into the heART” art retreats and “Creative Finds” markets. If everyone could just do what makes them happy for a living, it would be a wonderful world.

Can you tell us more about your event, Creative Finds Marketplace?

Our Creative Finds Marketplace is in it’s ninth year and filled with so much local talent! We focus on local, handmade, quality items and take a lot of pride in that. Plus, we do our best to treat our vendors and customers as members of the Creative Finds family. We’re there to support each other and do what we can to bring the artists together with the community that desires their product.

Since next year is our tenth anniversary, we added a new element this year. We’re welcoming vendors that specialize in offering art/craft supplies (with the exception of high import companies). We will soon be known for hosting events that showcase all of the creative levels of our fabulous community!

You do a fair bit of charity work. What are some of your favourite causes to support? 

Honestly, I love working with many local charities, but the one that pulls at my heart strings and brings me back again and again is the BC Children’s Hospital. We’ve had to spend some time at Children’s over the years and they have been very supportive of our family and many others.

Where can people find your work? 

The best place to start is on my website! You can make a note of my upcoming events or where to shop online. I will be taking part in the Fraser Valley Art Crawl on Thursday August 13th from 6-9pm. Other than that, I do have Glitzy Galz greeting cards available at Wild Child Tattoos & Hair in Surrey (19228 96 Ave, Surrey, BC), as well as at the Sugar Shack on Vancouver Island (4492 Happy Valley Road, Metchosin, BC).

What will you be selling at the expo? 

I have a few canvases that I am creating specifically for this great event! These Glitzy Galz will be full of whimsy and ready to go to their new homes at the end of the evening.

I will also have a mailbox that is ready to enhance the entrance to someone’s home, a wide array of my art prints, and packages of my Glitzy Galz greeting card line.

Thank you for spending a little time with me and I look forward to meeting you all in person on May 1st  at the Expo!

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Visit Nicci’s website at:

www.nicci.ca

Seventy Countries to Touch An Interview with Jan Kasparec

By Alyssa Laube

About: Jan Kasparec, born in the Czech Republic, has settled in Vancouver after several years of travelling and exploring the world’s cultures. The influences of his travels can be seen in the artist’s work, which is very diverse, ranging from paintings and drawings to photography and writing. This year, he will be exhibiting some of his artwork at the Art World Expo!

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You were born in the Czech Republic but moved to Vancouver. How did the two unique cultures effect you and your art?

I would say that my art is more affected by my inner journey rather than geographical location. Nevertheless, it’s not by chance that we call Europe the “old continent”. The art scene in Europe is an essential part of society, much more than in North America. Being immersed and educated in it from the age of 8 did make an impact on my artistic path. But Vancouver was love at first sight for me; a blind date that ended up in the best possible outcome: my new home. Just the feeling of living in a place I love puts my creativity on a very good frequency.

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You’ve also travelled many other places in your life, including France, Brazil, Australia, and many more! Can you explain the effects that your travels have had on you?

Travelling opened my heart and melted the mental preconceptions that our society is so good at building inside of us. I understood that we are all the same, good in our essence, and what keeps us separate is an illusion; a clever fear-fiction created by the ruling class. I also realized that my frustration or sadness over the largely unfulfilled potential of human society and destruction of this planet doesn’t help to resolve it. Meditation and unconditional love taught me that the only possible outward change comes from within. 70 countries later, I still feel like I am at the beginning of a long journey.

Which place sticks in your mind the most, or had the greatest impression on you?

There’s no place I’d rather be than here and now of course! But if I have to name a few milestones on my journey I would mention mother India, where I took 10 days of silent Vipassana meditation and experienced an inner insight. People of the mountain plateau of Tajikistan (Pamir) touched my heart deeply. Mongolia was where I first lived in the state of no-time, some might call it Satori. Those moments shape my life in this very moment. Once you know there’s only light, you can’t be fooled by darkness anymore, regardless how “real” it seems to be.

On that note, could you share one memory or anecdote from your life that stands out or effected you as an artist?

Once, I was drawing a receptionist in Vietnam who fell asleep, while one of the most beautiful women I ever dated was patiently waiting for me to finish. It was our first date and the portrait was no good. I was late and exhausted. I thought I would never see her again, but she was actually one of the rare souls that I fell crazily in love with. I always remember the sleeping receptionist with half-open mouth when I remember her.

You’ve painted quite a few images of Buddha. Why does Buddha inspire you to create art?

I’ve had visions of Buddha in my meditations. I knew I had to paint “him” (I perceive Buddha as a quality rather than a particular person). Since that day, I’ve painted quite a few, and new visions come in the moments of silence of my mind. They’re very different from the conventional depictions of Buddha, but it’s my most successful theme so far. I’ve sold all of them without ever having a second thought of sales to taint the painting process. I am not Buddhist per say, but Buddha is my everyday teacher, encouraging me to empty myself, let desires go, and see through my attachments. Every day I fail many times and every day I come back to it in a loving way. The journey is the destination.

How would you describe your studio, and what’s most important to you in a studio?

My studio is my sanctuary. Most important is the energy of peace and belonging. I’ve charged my studio with this energy by lots of interior modifications and countless meditations, yoga practices, sittings with crystals, dances… Almost everyone who comes to spend time here tells me how good they feel here without knowing why. It always makes me smile. I spend much more time here than at home, where I only go to sleep. I love my studio dearly, including the mice and winter chill!

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To see Jan’s studio yourself, you can visit: 

#1000-420 Parker Street Studios, East Vancouver.

What fascinates you about creating portraits?

What is most fascinating about people’s faces is the truth in their eyes. You can fake a pose on a photograph. I don’t think you can do that on a painted portrait. 

What was it that drew you to Canada?

I had just finished 17 months of globetrotting when I met a buddy, who I hadn’t seen in five years, in a pub in Prague. Another trip wasn’t something I was considering, so when he said, “Go check out Vancouver, man, you’ll love it!” I didn’t think much of it. Well, a couple of beers later, the idea became more attractive. I applied for a visa the same week and moved a few months later. In a broad sense, I was just supposed to be here. Why that is I don’t need to know, but beer was a rather painless accelerator.

What is your favourite part of Vancouver to photograph or paint?

Vancouver is a rare gem. I love seaside landscapes with snowy mountains looming in the background, industrial cranes somehow in harmony with their natural surroundings, railways and factories in North Vancouver, cargo trains in Strathcona surrounded by old graffiti’d warehouses, shabby buildings in Chinatown, waterfalls in Lynn Valley….I could go on for a while. This city has so much and I’ve still only seen so little of it!

Was the first time you bought oil paints at 24 your first true experience with art?

Yes, I first bought oil paints when I was 24 but I painted as soon as I learned how to hold a pastel (around the age of 2). The first true experience of art, if this can even be described by something so limiting as words, dates to early childhood. When you become blank and create out of pure joy, you are living a true experience of art. We are all creative by definition, and we are all true artists. Most forget along the way. I was fortunate enough to remember.

To learn more about Jan, and see some of his creations, visit:

http://painting.kasparec.com/

The Work of an Evil Mastermind

The Work of an Evil Mastermind 

McLeod, Kelly James

An Interview with Kelly James McLeod

By Alyssa Laube

About: Kelly James MacLeod is a 44 year-old husband and father of six with the “limitless imagination of a 5 year-old.” He works as a freelance makeup artist who focuses on fantasy and science fiction-themed pieces and was professionally trained at Blanche Macdonald Centre.

How did you choose the name, Mastermind By Design”?

It came about in the mid-90s while I was going to college. One of the projects in my business marketing class was to create a viable business, and a friend and I decided to do a t-shirt company that would showcase my art. My friends always called me an “evil mastermind”, since my imagination always went off on different tangents, and the name stuck for our business. When I had the opportunity to create a new makeup company after going to Blanche, I decided to re-use the name!

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You work in a lot of different areas, such as airbrushing, bridal design, and special effects. How do these compare, and which is your favourite to do?

When I first left school I threw myself into absolutely everything! From fashion to runway to weddings and beauty makeovers and demos – I mean everything! However, I do prefer character-driven genre pieces. Full body make ups and character creation are my thing.

How did your training at Blanche Macdonald change you as an artist?

Before attending Blanche McDonald, the only make up I ever did was on my kids at Halloween. One day, I had the opportunity to see a make up demo by Howard Berger, made famous by his work on The Walking Dead. After the demo, I got 20 minutes alone with him and he basically told me to learn everything I possibly could about make up. Well, I guess the universe had something in store for me, because Blanche McDonald sponsored my program and I have never looked back. They gave me the tools to bring my imagination to life, and gave me the confidence to make my mark in the industry. Blanche McDonald change my life.

What are some of your biggestor most well-known projects?

Some of my most well-known projects are:

“Ugly Betty”

Horror theme

Model Lia Awesome

Photography by Jonny Ray Studios
“Epic Battle”
Superhero theme, full body paint and airbrush

Models Gemma Doyle and Cindy Van Beek

Photography by Ken Nash
And “Golden”
Hand sponged body paint

Model Sarah Notman

Photography by Greg McKinnon

I also have a “Kinky Klowns” series with Prudeworld.com that’s gaining a lot of popularity.

Can you list some films, people, books, etc. that have inspired you greatly in your work?

I was a child of the 70’s and 80’s, so for me it was comic books, Dungeons & Dragons, science-fiction, Star Wars, etc. that fed my imagination from the time I was a little little boy until now! I can’t really pinpoint anything specific that inspires me because I get inspired every day by people, things, and other artists. My imagination literally does not shut down for any reason!

You seem to have an interest in clowns and zombies. Why do you think youre drawn to that kind of work?

Clowns and zombies are kind of what’s popular right now. Zombies are always fun to do since everyone loves them; it’s what people usually ask for. As for clowns, either you like clowns or you don’t. I think, personally, clown make up on a male is creepy while clown make up on a female is kind of kinky. Still, I do not limit myself to just those two characters.

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What are your hopes, as an artist, for the future?

My goals for the future in make up are already in play. I have started a production company with a friend called “Mastergraf Productions”. We’re looking to write, direct, and produce our own short horror films. We are currently working on a script but it’s still very much in the developmental stage. I work very closely with prudeworld.com where I am the art director and key make up artist for erotic, fantasy-style shoots. I do everything else with Mastermind By Design. All in all, I just want to create new and amazing characters and bring them to life. My imagination is vast, so I have a never ending source for material. I want to bring something visually new to the public and I just hope that they like it.

To see Kellys work, visit:

https://www.facebook.com/kjmcleod1