We are looking for amazing artists, designers, and body painters to join our 2015/2016 roster of talent!
Are you an artist who works outside the box?
Do you design insane fashion or accessories?
Is your canvas a human body? WE WANT YOU!
Applications are now being accepted for the 2015/2016 Toronto and Vancouver Art World Expo! Visit: https://theartworldexpo.com/exhibitor-information/ for more inforamtion!
The “Mom-Entrepreneurs”
An Interview with Sabrina Widner, Co-owner of Coastal Storm Gallery
By Alyssa Laube
About: Self-proclaimed “mom-entrepreneurs” Sabrina Widner lives in Sooke with her children and husband, where she spends most of her time taking care of loved ones and running Coastal Storm Gallery with her twin sister, Sam! Sabrina and Sam focus on exhibiting local artisans and feature a wide selection of beautiful aboriginal artwork. This year, they designed “Coastal Imagination Masks” which were sold at several of Make and Break Arts Foundation’s fundraisers all over the Lower Mainland and supported arts based projects like Art World Expo and summer art camps for children and youth.
How and when did you decide that you wanted to be an entrepreneur?
After spending almost eight years working in downtown Victoria, picking kids up from daycare, and feeling tired and under-appreciated at work, it was time for a change! I invested in a few properties (that currently pay my bills) so that I could spend my days walking my dog, volunteering in my local community, and actively participating in raising my own children. However, after a while of being a stay-at-home mom, it becomes a little tedious. So, my journey as a business owner began.
Can you tell the story of how you came up with the idea for Coastal Storm Gallery?
I have a beautiful aboriginal art collection, and friends and family started to ask me why I wasn’t buying and selling pieces online yet, so I did in 2009! However, not everything went perfectly the first time. My original business partner did not share the same vision as me. We came up with an online aboriginal gallery, and did a few trade shows and mall kiosks, but things fizzled out. Now, my sister and I are running Coastal Storm Gallery together, and things have been awesome ever since!
Sam, what lead you to becoming Sabrina’s business partner with the gallery?
Since graduating from college in 2001, I have been in various customer service roles which I absolutely love. I’ve managed retail stores, implemented customer service within a private company, and since 2008, I have been working for the local Health Authority. Initially, I was with Mental Health & Substance Use, which is an eye-opening program that allowed me to serve a population that deserves great customer service and complete respect. Currently, I am working within Public Health and now serve an even broader range of people.
Considering how young I am, you will be surprised to know that my husband and I have been married for five years now and have been together officially for eighteen years! We were pregnant within days after our wedding; having my Son in 2009 was the greatest experience of my life and every day I love him more and more.
With a busy career, a husband, and a son, finding time to spend with my sister was becoming a challenge. When she asked if I’d like to become involved with her business, initially I was hesitant and wondered where I would find the time, but I have to say it has been a great experience! We chat all the time, our children get to spend tons of time together “while their mommies work”, and I love it!
Why are you drawn to aboriginal artwork?
I think it’s because of the heritage! Even young aboriginal artists begin with a wealth of information and usually have family members that have mentored them since youth. Aboriginals of the first people of Canada. Their history dates back hundreds of years, many tribes have continued to pass information on through the generations, and I find amazing value in that. For every piece, there’s a story. Each animal has a different meaning, they have their own mythical creatures, the artist themselves have stories to share, and every family has a history. For example, I carry Nancy Dawson’s jewellery. She was taught how to carve and weave by her elders and she has passed that skill down by mentoring all of her sister’s children. They all currently hand carve silver jewelry. Her family crest is the wolf, and when her family holds a potluck, they give handmade items all engraved with wolf symbols to signify the family’s wealth.
You helped to create and sell “Coastal Imagination Masks” with Make & Break Arts Foundation this year. Can you tell us more about the masks and how you got involved with MAB?
One day, while sitting by the poolside at Monika’s house, we started taking about galleries and how much we both love art. I mentioned that I was lucky if the kids would let me have five minutes in a gallery without bribing them with a treat, and how I wished that there was something on-site that would work for the whole family. It would have to be desirable to a child, high-quality, and of course, fitting to be sold in a gallery setting. That’s what inspired me to create a line of children’s masks! I’m not great behind a sewing machine, but my best-friend and twin, Sam, sure is!
Together, Sam and I designed a West Coast animal-themed line of felt masks. We both have boys and know for a fact that dress-up items are extremely limited for them; it’s either a profession or a super hero, and none of it is made locally. We set out to fix that! All of our masks are machine-stitched, machine-washable, and extremely durable. We tested our product at a local craft fair and school fundraiser and got some amazing feedback!
I know that Monika works hard for her charity and I thought that we could both benefit by working together, so I sent her some product information and she ran with it! We did a custom order for her Halloween fundraiser of skulls and pumpkins, and created Ruldoph masks which she used to fundraise over the Christmas holidays. She has also included our masks in some online promotions as a part of her fairytale theme. Our hope is to continue to compliment her fundraising with seasonal masks.
There’s a list of “symbols” on your website. Why have you listed these, and what culture are they from? Where can they been seen in the gallery?
I decided to update my website and gear it towards local artisans. The website is still in transition, which is one of the reasons why the symbol page is still there. When the website was only aboriginal, the symbols page was there as reference.
What inspired you to start supporting local artisans?
Sabrina: During the last few years, I have become very active in my community and met so many amazing, talented people. I believe that businesses work because all members benefit; you’re only as successful as those around you! So, my sister and I have approached artisans we know in hopes of promoting their work.
Sam: Sabrina’s new focus on supporting local artists is a great move for her. I currently work with a lovely woman who creates beautiful one-of-a-kind jewelry with her sister under Gin-Nel Jewels. Gina is a mother of eight and needed a creative outlet. Making jewellery was it for her, and working with her sister is the bonus! There’s just something about sisters working together.
I went to a craft show to introduce Sabrina to Gina & they hit if off! A few days after that, I asked Gina if she could make earrings out of pennies (which I have always wanted and can finally do now that the penny is no longer used). She agreed and we started to talk about other opportunities. Gina’s products will start to be available on our website soon and we will be showcasing her creations at Art World Expo in Vancouver and Toronto!
What is it like to run a business with your twin?
The best part of it all is being able to work with my sister and best friend. When I have an idea in the middle of the night, a problem during the day, or too busy of a schedule to get everything done alone, I just call her! We can count on each other to support whatever the other person needs. For us, equal work means equal partnership. I love her, she loves me, and now we can spend time together doing what we both love!
Sabrina, you’re a self-proclaimed “mom-entrepeneur”. Why have you given yourself this title?
Part of why I describe myself as a “mom-entrepreneur” is that I’m doing something I truly enjoy while being able to sustain all of my family obligations first!
Visit http://www.coastalstormgallery.com/
Hopefully, you stopped by the Coastal Storm Gallery booth at Art World Expo this year! Sabrina and Sam will also be at Art World Expo Toronto in October!
About: Vancouver is home to the makeup industry’s modern-day Renaissance woman, Neetu Sahota. Not only does Neetu work as a makeup artist, teacher, and journalist (along with her position as an image specialist) but she also has an inspirational story to share about how she got there. After recovering from a stroke and graduating Blanche Macdonald, Neetu set out to pursue her passion in makeup artistry and never looked back. She’ll be taking part in the body painting competition this year, and will be working with the Expo’s “fairytale” theme.
How would you describe your style as a makeup artist?
My style is really about enhancing beauty; everyone is beautiful and it’s my job to show them just how beautiful they can be. I know that I have done my job right when I have a client who is in awe of how amazing they look. I can truly see how such a small act transforms them, not just from the outside, but the inside too!
What made you want to pursue a career in makeup artistry?
I originally intended to be a lawyer and was studying criminology at SFU up until 2006, which is when my life changed. At the age of nineteen, I suffered a full stroke to my left side. It was caused by an arteriovenous malformation in my brain, a rare condition which occurs in only 1% of the population. Due to its rarity, the only treatment option is brain surgery. If left untreated, symptoms can worsen and lead to paralysis and/or death. After the surgery, I was told that I would never go back to work or school, but I wanted to be normal again more than anything. With age and determination on my side, I was able to fully recover from the physical defects of the stroke after one year. I slowly returned to work and tried to return to school but my cognitive abilities were no longer as strong as they had been. I emerged myself into work, taking on a position of store manager and assistant manager, but despite these successes I found myself lost and unsure of what I was trying to achieve. I eventually started to see a therapist who always admired my makeup, and one day, she asked me why I never considered being a makeup artist. I had never thought of it, and with that glimmer of hope, I went to apply at Blanche MacDonald for the makeup program. Two days later, one of the admission directors called me to tell me that I had been approved and could start class next week, and I agreed! I was always meant to have a career in makeup, I just had to take the long and hard road to get there.
What do you focus on most in your makeup?
Skin! I will spend 80% of my time with any client on their skin. I’ve always believed that beautiful skin creates beautiful makeup, and that when skin is immaculate, everything else will look beautiful and radiant. It’s one of the hardest things to master, and understanding how to make very dry skin look as smooth as a baby’s bum isn’t something that can be taught in a book. It has to be learned from experience. Because it is difficult to make skin look flawless, many people will turn to Photoshop, but my job as a makeup artist is to create a flawless canvas on its own. Essentially, a makeup artist’s job will become insignificant if photographers need to retouch entire images to correct skin.
What are your favourite techniques, colours, products, and trends?
Some of my must-have kit products at the moment are: Clarins Beauty Flash Balm, Face Atelier Pro Foundation, NARS Orgasm Blush (the most amazing blush colour for all lighter skin tones and NARS Super Orgasm for darker skin tones), and MAC Blacktrax Gel liner.
What’s your motto as a makeup artist?
Nothing is a mistake, everything is always intentional.
What’s your number one beauty tip?
Use SPF every day, regardless of if the sun is out or not. This is the best way to prevent dark spots, aging, wrinkles, and skin cancer. The number one request I have from clients is to give them advice for their dark spots and wrinkles once they have occurred, but prevention is always easier than protection.
You’re more than just an artist; you’re also a teacher! How has teaching make-up at Surrey College changed you as an artist?
While working at NARS, I would conduct monthly seminars and masterclasses, sharing backstage makeup techniques and tips with clients. I realized then that I had a passion for sharing my makeup knowledge with others. Teaching is such a fulfilling experience, and I didn’t want to hold back any information from my students, because they became a representation of me. I always tried to give my students a wide variety of knowledge which I had uncovered throughout my experiences in the industry, instead of limiting their learning solely to the curriculum.
How has your job with NARS impacted you, and what are your favourite NARS products?
Oh, there are so many NARS products I love! My makeup kit is full of lots of NARS but my absolute favourites have to be Nico, Sex Appeal, and Zen blush. I always make sure I have one of each on-hand at all times.
Francois Nars once said, “Why so serious? It is only makeup,” which I think is a perfect quote to explain makeup. It isn’t like cutting hair or performing a surgery; you can always correct it by wiping it off and starting again. I tell this to all of my students and myself: you cannot make mistakes in makeup. Think of it as a learning process, an opportunity to make a correction. If you realize that you aren’t pleased with something, you can wipe it away and make the necessary changes. Working at NARS gave me this perspective and developed my passion for skin and layering products.
As if you didn’t already have enough jobs, you write beauty articles for Jugni Style. What can readers expect from your articles, and what has that job done for you artistically?
I just got married a month ago, so I did have to take a break from my beauty articles, but readers can typically expect product reviews, makeup & hair trends, and how-to’s for celebrity makeup looks. We are hoping to have some how-to videos eventually which would aid readers in creating specific looks.
Finally, how has your work as an image specialist (with Studio Cloud 30) changed your artistry?
Working with Studio Cloud 30 has enabled me to take my artistry to the next level by working with some talented artists in the music industry. Warren Dean Flandez, owner and previous competitor in Cover Me Canada, saw the talent in me and brought me onto his team, which has allowed me to make further connections in the music and fashion industry.
Some of your inspirations include Alexander McQueen, Guy Bourdin, Francois Nars and Alex Box. What about these people inspires you? Are there any particular looks of theirs that you adore?
What I love about these artists is that all of them are creative savants or rule-breakers in their industry. They did not care what others may have thought of them or their work. They just did what inspired them. Each of them changed the industry in their own way regardless of being recognized for their talents. For example, Alexander McQueen introduced the world to theatrical fashion shows, and Guy Bourdin started provocative fashion photography. I have the books for each of these artists but my favourite by far is Francois Nars’ 15X15. It fills me with inspiration every time I go through it.
How does your preference in hair styles differ from your taste in makeup looks?
While taking my Global Artistry Diploma at Blanche MacDonald, I was able to learn hair styling, which is a great asset for my clients since they often prefer to book a makeup and hair artist in one. My hair style preferences are quite in line with my makeup style: polished and classic.
How did graduating from Blanche MacDonald improve you as an artist?
Attending Blanche MacDonald was amazing! I was able to let out tons of creative energy and really refine my artistry skills in a variety of areas. Prior to attending Blanche MacDonald, airbrushing, fashion, and special effect makeups were unknown to me. I was lucky to have some amazing teachers (Jon Hennessey, Ashley Forshaw, and Corey Roberts) who would pass on their knowledge and provide me with honest feedback on how to improve my skills.
What will you be showing the Art World Expo audience this year? How are you planning on testing/demonstrating your skills at this year’s event?
I’ll be creating a classic fairy in the style of the Grimm’s Brothers. I want to demonstrate a more realistic character rather than creating an abstract interpretation of a fairy tale, and will demonstrate my skill set by applying make-up that looks intricate and detailed both up close and from a distance.
To see more or get in touch with Neetu, visit:
By Alyssa Laube
About: For Transylvanian painter and poet, Hajni Yosifov, art is all about self-discovery. Her paintings (“painted diaries/journals”, or “dreamscapes”, as she calls them) use bold colours and heavy texture to evoke emotions of love, wonder, and struggle. Despite starting out her artistic career as a jewellery designer, Hajni has found her true passion in painting, and will be exhibiting at this year’s Expo.
When you mention the “idea of existing” as a key concept in your work, what do you mean?
My artistic journey is more than seeking; it’s a chance to go on, deeply and permanently, into the idea of existing. Art is how I record life.
The way that you’ve described your work on your page is quite poetic. Do you write poetry?
The dance between words and pictures is unlike anything else. Nothing compares with the discovery of your own verse, and some of my paintings gives my mind the power of words. “The Dreamer” is my self portrait in words.
Which artists inspire you?
There are many inspiring artists, but none touches my heart and soul like Emily Carr.
How did growing up in Transylvania (and then moving to Canada) influence you?
When I came in Canada in 1990, the course of my life changed. My first show happened to be at Hamilton Art Gallery, where I met the gallery Director, Ted Pietrzak. His encouragement and guidance led me to the most rewarding journey as an artist. That was the beginning.
How did you get started in jewellery design?
At the end of the high school I decided to become a jeweller. It was a fascinating process between melting gold and polishing the final piece. The finished piece always became someone’s treasure.
How did you discover that painting was your true passion?
Painting must be my true passion, because I paint after working at my job, even if I don’t have a showing or commissioned piece. I’m painting when I’m hopeful or hopeless.
Would you describe your work as abstract and why/why not?
I don’t consider my art abstract because abstract art seeks to achieve its effect using shapes, forms, colours and textures without representing an external reality. I call mine “dreamscapes”, because when I paint, my intention is to touch an emotional chord with such intensity that I can’t distinguish if it’s pain or happiness.
How do you like to use colour and texture in your art?
My inspiration comes from a thought, building textures and bright colours, and then balancing with soft pastel.
You’ve participated in over 190 exhibitions. Is there one, or a few, that stand out in your memory and why?
After over 240 exhibitions, each of them is important. I had so many amazing moments and met so many people that inspired me.
How do you think that your work reflects the “awakening of life”?
I’m collecting bits of nature, human forms, and sparkles of light and putting them back into my artwork romantically. The awakening of life is an endless wonder.
How have you found your “new self” through your art?
I’m an artist; this is what I do. My art is the bridge between me and the world.
Why is creating art important to you?
My art gives me the courage to be vulnerable, and to be myself.
What will you be showing at the Expo?
At the Art World Expo, I’m showing my recent work. As a collection, each painting orchestrates the mood and story behind it. The theme, ”Shades of Love”, echoes through each of them.
You can see or purchase Hajni’s work at this year’s Expo, or:
http://www.absolutearts.com/portfolios/h/hajni/.
You can also follow her on Facebook and Twitter!
Thank you to our Platinum Sponsor Twin Peaks Construction!
by Aly Laube
About: At the age of seventeen, Andrea Alcala fled Venezuela with her family and settled in Canada to find a new home. Despite the initial culture shock, Andrea developed a love for creating art in her senior year of high school, which led her to continue pursuing it throughout her life. For six years, she studied at The Alberta College of Art and Design, until she moved to Vancouver with her husband in search of greater opportunities. Today, she attends The New Image College of Fine Arts, where she is developing her skills as a makeup artist, in hopes of fulfilling her dream of working in the film industry! You can support Andrea and her work at this year’s Art World Expo.
How did growing up in Venezuela affect you? Specifically, how did the change in government effect you and your family?
It changed everything! I am immensely lucky for the parents that I have; they never made me and my sister feel like we were lacking anything. However, their bravery to stand up for what they believed in cost them their jobs and possibility of working anywhere else. After a few years, my mom got the chance to work in the oil sands in northern Alberta, and she didn’t think twice about it. She accepted the offer in 2006, and a year later, we moved to Fort McMurray. Personally, it made me grow up and realize that nothing is given to you in life. You have to work hard. I was twelve when my parents lost their jobs, and seventeen when we got the opportunity to move to Canada. Here, I found a new home, my passion, and the love of my life.
Out of curiosity, how did you meet “the love of [your] life”, your husband?
My husband, Luis, and I went to the same elementary school when we were little, and when his dad was chased out of the country, his family followed him to Fort McMurray. His dad worked with my mom in the oil industry in Venezuela, and he recommended her for the job that helped bring us to Canada. I met Luis again in high school and he helped me learn English. We’ve been together since then! We’re both huge Disney fans, so he proposed in Cinderella’s castle in Disney World. We got married in Cancun, Mexico in August 2013!
When you say that your parents stood up for what they believed in (and were prosecuted for it), what do you mean?
There was a presidential election in 1998 which made Hugo Chavez president, and it brought a lot of change. He slowly introduced communism to the government (masking it as socialism) and gave a lot of money to neighbouring countries, but not much to Venezuela. Those who didn’t agree with Chavez rebelled and were marked as the opposition by the government, who made it clear that they had control. People were kicked out of their homes, and protesters were fired and banned. Some were even chased out of the country! Right now, Nicolas Maduro is president of Venezuela, the country is as poor as ever. It’s making it impossible for people to leave or for any progress to happen. There’s so much more to say, but this would be as short as I can get it.
What was it like to move to Canada, a country with so many differences from Venezuela?
It was very hard. I was raised in a different climate, culture, language…let’s just say that everything was different. I have a very large extended family as well and lived my whole life in one small town, so when we moved, I left behind everything and everyone I knew. The first shock I had was (like in the Disney movie, “Cool Runnings”) the temperature. Then came the language, food, culture, and finally, the silence. Being used to having a large family, the silence was certainly strange. Don’t get me wrong, I’m hugely grateful for all of the opportunities I’ve gotten in my life, but I have definitely learned to adapt.
Do you think that those experiences led you to becoming the artist you are today?
Definitely! Silence allowed me to listen to my own voice more. I had already graduated from high school in Venezuela, but when I came to Canada I had to repeat the twelfth grade to learn English. Because of that, all I had to take was English, Math and electives. I chose Art as one of them and never let go from there. I love making things and the art of creating, itself.
Why was there so much silence for you in Canada?
I think it started when I said goodbye to my family. I knew I wasn’t coming back and that everything would change as soon as I stepped onto the plane. It sure did! I only had a basic knowledge of English so I didn’t speak much, and for the first couple of months it was just me and my mom.
Do you still practice your South American culture, and do you think it can be seen in your work?
I still eat some of the food (that I can find here), speak Spanish, and keep close ties with my family. Can this be seen in my work? I’m not sure. It’s almost like trying to notice my own accent! Some of the work I did at the Alberta College of Art and Design was political and I meant it to be that way.
You’ve worked with various and unique artistic expressions. Which were your favourite, and how did you learn them?
I’ve always liked trying as many things as I can. My favourite was glass blowing but I did switch it up a lot in many of my projects! I attended the Alberta College of Art and Design from 2008-2013, which exposed me to mediums I had never tried before, and mixed things along the way.
How did you find the Alberta College of Art and Design, and what was your experience there like? How about your current school, the New Image College of Fine Arts?
I knew I wanted to work with glass, and ACAD had a whole faculty for it! I was also living in Fort McMurray at the time, and going to a school in the same province made sense. Attending ACAD taught me a lot and certainly made me a stronger person, but my husband and I moved to Vancouver for better chances at success than we would’ve had in Calgary. I did a lot of research and was lucky to find New Image College of Fine Arts! I’ve enjoyed every moment of it and truly have my family and husband to thank for helping me make my dreams come true.
You have experience with glass blowing, something that not a lot of people have practiced. What is it like, and what have you made with your skills?
It’s thrilling, fascinating, and can all go wrong in one swift moment. I love glass as a medium and I made a lot functional shapes such as vases, bowls, and decorative sculptures. Glass will always be in my heart, but it’s very hard to keep up once you’re out of school.
You’ve mentioned that you have a love for film. What are some of your favourite films, and which films have you worked on?
I have yet to work on a film, but I want to! Some of my favourite movies include Mary Poppins, Charlie and the Chocolate Factory, Alice in Wonderland, Mrs. Doubtfire, Pan’s Labyrinth, and so many more.
What are you showing at the Expo?
So far, I have a dress that I modified for an editorial photo shoot by adding different sizes of origami shapes all over it. I may have a couple more things, but i’m still working on it.
What are your goals for the future?
My goal is to work in the film industry. I love beauty makeup, special effects, and prosthetics. I’m on my way to learn more about these and can’t wait to be able to do it all!
To find out more about Andrea and her work, contact her at:
604-562-1307 or
info@akristina.com
Thank you to our Platinum Sponsor Twin Peaks Construction!
By Alyssa Laube
About: Cyrena, owner of Gypsy Jean Jewellery, lives in the Greater Vancouver area with her husband Rob, young son Carson, and cocker spaniel Eddie. She has been making jewellery since childhood and launched her brand, Gypsy Jean, about three years ago.
Can you explain the name of your company, Gypsy Jean?
It was a nickname I was given way back when I tried my hand at tarot card readings! My Irish gran was Jean, and my mom and I share the middle name Jean, so it’s definitely a tribute to the women that have inspired my creativity and jewellery making.
You first started making jewellery when you were a child. Can you recount how that began?
I was first introduced to jewellery craft at summer camp when I learned how to make friendship bracelets. It evolved from there when my mom bought me some tools, wire and beads. I started selling them on my street corner just so I could go buy more supplies! Also, I’ve always been a bit of a wondering soul, and my first designs were inspired by my set of aura rocks.
How did your grandmother influence you?
With a walk-in closet packed full of colourful outfits and tiny shoes, my Irish gran (Jean) talked to me about my dreams and my future Prince Charming while she let me play in that little girl’s fashion wonderland! She had new accessories for every single dress! Actually, both of my grandmothers were also artistic and crafty. They inspire me to follow my dreams and heart every day.
Can you explain how Bohemian style is a part of your work?
Free spirit and whimsy inspire my unique designs. I like to use eye-catching charms and gemstones that are thoughtfully put together, but with no rules! I just go with what I love and hope that others will love it too.
Where do you find your materials?
Everywhere and anywhere! I can’t use just one supplier because part of the fun is the hunt, and it gives each piece it’s own story. From taking apart and up-cycling pieces of vintage jewellery, to online finds and boutique treasures, I want my jewellery to make you feel good!
What is your favourite type of jewellery to make?
Because i’ve worked in many different styles and mediums, I go through stages. Right now, i’m loving my “convertible necklaces” featuring colourful semi-precious stones, charms and Swarovski crystals. They are one-of-a-kind and can be worn as a bracelet or necklace. Actually, every piece I make is my favourite until I make the next…Then it’s my new favourite!
On your website, you’ve said that you’re inspired by your travels. Where have you travelled that has inspired you artistically?
I have been across the United States and to England, Ireland, and Scotland! I have watched glass beads being made beside a canal in Venice and an old woman hand beading intricately (and at record speed) on the streets of Mexico! Finally, being a tourist in my own beautiful city inspires me every day.
At Gypsy Jean, you pride yourself on being unique. What is it about your jewellery that is so different?
I want to keep my jewellery one-of-a-kind, versatile and good quality, but also at affordable price points. I also like to make pieces that you can wear in different ways. If you can’t can’t have fun with your accessories, what’s the point, right? When you love what you’re wearing, you feel good, and that gives us confidence. Overall, I love to make women feel confident and happy!
Take a closer look at Gypsy Jean Jewellery at:
http://www.gypsyjean.com/
Thank you to our Platinum Sponsor Twin Peaks!
by Alyssa Laube
About: Marie-Helene Babin is a professional makeup artist who specializes in body and face painting, SPFX, editorial work, bridal design, and film/television. In the past, she grew up in Quebec and worked as an illustrator. Today, she is creating art in Vancouver, with a focus on airbrushing and body painting. At this year’s Art World Expo, Marie-Helene will be displaying these skills!
You’ve been a body and face painter for over 15 years now. How has your work and skills changed since you started?
It’s changed on so many levels! I have better abilities and product knowledge now, so i’m getting greater and faster results. Going back to school also taught me different skills such as airbrushing, which I have since incorporated into my working technique. A lot of elements in my body paintings are still done by hand, but airbrushing is a wonderful tool which provides results that can’t always be achieved with other methods. I like using a balance of both techniques.
Why did you move to B.C., and why did you choose to stay here?
I lived in the United Kingdom for over two years before I moved to British Columbia. It was a bit of a hiatus for me, the goal of which was to discover where to take my career. During those two years, I face and body painted very little, but I attended the IMATS trade shows every year and took a film/television makeup course at the London College of Fashion. These were deciding factors in my decision to go back to school full-time for makeup and obtain my diploma. However, my Visa ran out, and coming back to Canada was the only way for me to attend school. I choose Vancouver (over Toronto) for various reasons; I wanted to study in a city where I could see myself staying, and the artistic industry, sea side, mountains, and mild winters were all very appealing reasons! It’s been a great journey so far.
Did your family impact your artistry?
My mother had a huge impact on me. She was a visual artist, so I grew up having access to all sorts of paints and mediums. As a result, I’ve been drawing and painting for as long as I can remember! She encouraged me to pursue my dreams, which played a big role in getting me to where I am today.
What type of body and face painting do you consider your favourite or specialty?
Body painting has a lot of creative options and freedom, not to mention a bigger canvas! As for face painting, well, I’m always going to love face painting. I always say that it’s like my baby. Since the age of nine, I knew I was going to face paint one day… and I did, and still do! Kids are so much fun to work with. They’re truly mesmerized by having their faces painted and it always makes me smile to see their delight!
Overall, I think my that paintings tend to have a surrealist and “flowy” feeling to them. I also like details and painting them by hand.
Can you describe one of your favourite projects or pieces that you’ve worked on?
“A Little Bird Told Me” is probably one of my favourites. I was pleased with the overall look and the beautiful pictures that came out of it. I do like “The Octopus” and “Carnival” as well, though. It’s actually quite hard to choose! There are certain elements from each painting that I am quite attached to, such as a back painting, colour themes, or props/costumes (I make my own props and headpieces when I have the time). Body and face painting is a very ephemeral form of art; Apart from pictures and memories, there’s nothing left to cherish. You have to learn to let go of the original and all of the time you spent working on it.
How did growing up in Quebec shape you as an artist?
Culture and art has an important place in Quebec. The government invests a lot in the support of musicians, visual artists, actors, dancers, and so on. Many small galleries have emerged, artist studios and music festivals are affordable, and therefore, we can access art very easily.
What did attending Blanche MacDonald Center do for you as an artist and individual?
It inspired me to take my art to another level and it made me realize that I didn’t necessarily want to choose a specific area to work with. I love all aspects of makeup, whether it be an editorial shoot, a commercial, or a body painting. I really enjoy the diversity that makeup has to offer and the different people you get to work with. That’s why I choose this field.
You also work in illustration. What sort of projects do you like to work on illustrating, and what draws you to it?
My style is mostly surrealist. I enjoy using pens and ink a lot, and I also paint with acrylics. Lately, makeup and body painting has been taking a lot of my time and energy, and I had to put my visual artwork on the back burner for a while. Still, I do have a painted series on wood panels that I started a couple of years ago. I would love to finish it and exhibit it in a gallery eventually.
What is it like to work on a film set, and have you worked on any well-known productions?
I enjoy working on sets, despite the very long hours! I’ve worked on small and bigger ones: a few well-known television series last year, and also a lot of smaller commercials and videos. Seeing the behind the scenes has always fascinated me, whether it be for a film or a stage production. It’s captivating to see how it all comes to life!
To see more of Marie-Helene’s work, visit:
http://mariehelenebabin.com/gallery/
Thank you to our Platinum Sponsor-Twin Peaks Construction!
By Alyssa Laube
About: After her time working with Canadian Forces, Angela Ayre decided to take a very different route and pursue a career in art. She is attending New Image College of Fine Arts for makeup artistry and is currently working with everything from body paint to beauty products!
What is it about body painting that you enjoy? Do you have any favourite techniques?
I enjoy body painting because it’s challenging, I can work on my communication skills with the model, and have a lot of fun along the way. The body is beautiful and it’s amazing how body paint can transform someone.
What was it like to serve with the Canadian Forces, and what was your role?
It was an honour to serve as a medic and clerk with the Canadian Forces, which was both my career and my family. I’m sad to leave but excited for what the future holds.
Why did you choose to move to such a different profession as makeup artistry?
When I closed my eyes and was honest with myself about what I could see myself doing and loving, makeup and art came to mind.
How do you feel when you’re creating art?
I feel free and happy when creating art.
You also like to use high contrast colour. How come? Do you have any favourite colours to use, and why?
I’ve always enjoyed high contrast colour cause I like how things pop and stand out. My favourite colours are pink and anything bright because it brings the piece energy!
Why did you choose to attend New Image?
I was inspired by a friend to take the course at New Image. I saw how much fun she was having and the projects looked interesting!
What makes you happiest?
What makes me happiest are the little things in life that make me grateful to be alive. When someone else appreciates the work I have done it makes me feel proud of the effort I put in.
What will you be showcasing at the Expo? Do you have a theme in mind, and if so, why did you choose it?
I think I will be donating my framed chalk drawing of a jean jacket. This piece is one of my favourites because it took a lot of time and patience to complete.
For more of Angela’s work, visit:
By Alyssa Laube
About: Angela Weichel is a local, self-taught artist based out of Langley,B.C..She is inspired by everyday subjects and colours that can come to life on a canvas, and her acrylic paintings include a variety of wild life, landscapes, still life, and portraits.
Can you tell the story of how you started out in art?
I started painting as gifts for friends and family, until I received my first commission in June 2012. A family wanted to do a culture wall of eight paintings in their home to represent their adopted children and their heritage. Shortly afterwards, I entered into my first public art show and began showing my work. In February of 2014, I joined the Fort Langley Artists Group. This group has been an amazing way to meetand connect with other artists in mycommunity. We have a gallery in Fort Langley, BC at the Heritage CN Train Station. The next opening will be in May!
How did you teach yourself how to paint and are you still teaching yourself today?
My first time painting, my goal was to make my canvas look just like the photo I was referencing. I used to go from one side to the other to fill the space, which caused issues since I wasn’t creating any backgrounds or layering. I taught myself over time how to be patient and create a painting little by little without getting ahead of myself. Hopefully I will always be learning and growing, as long as I have a brush in my hand!
What is it about painting birds that you enjoy?
Birds seem to have so much personality. I love to focus in on them as the main subject, letting the background fall away. I also enjoy the fact that there are so many species to choose from and each has their own stunning feathers and colours.
What do you love about your hometown of Langley? How did it inspire you artistically?
I love that Langley is a “city meets country” kind of place. Wherever I drive, I can picture different spots along the way that would be great to paint. I’m particularly drawn to the sights off Glover Road, the quaint charm of Fort Langley, and pastoral colours set against the backdrop of the Coast Mountains.
When you paint a landscape, do the places always exist in reality, or are they often creations of your imagination?
They always exist in reality. My favourite landscape experience was during an early morning in August of 2013. I got out early to meet the sunrise behind a barn that I had noticed a few days earlier. I placed my easel on the field and painted the scene as quickly as I could before the sun crept up. It was a beautiful morning!
Can you explain what you mean by “still life” and why you are interested in it?
Still Life painting is a work of art created from everyday objects. It can be fruit, flowers, a tea pot, or even a bottle of wine. It is totally up to the artist as to how they would like to interpret “still life.” I would love to paint more in this theme. It interests me because there are so many options and it is a great way to challenge myself.
Which artists or works of art inspire you?
My first inspiration as a high school student was Paul Cezanne (1839-1906). I was taken by his still life paintings and the rough brush stokes that he used in his work.
Currently I am inspired by artists like Zaria Forman, and Carol Marine.I love to watch their hard work and the amazing pieces they produce.
How has having such a big family impacted you and your life?
When I think of my family, I think of Sunday lunch after church. It’s a regular occurrence to see twenty people around the table laughing and sharing our weeks with one another. I have amazing parents who have guided me in my faith, and us siblings challenge each other for the better. But we’ve also had our share of trials: in 1996 we moved half-way across Canada with little more than faith that God would provide for us when we arrived in BC, and we’ve recently suffered a terrible loss to cancer. Our Sundays since then have changed, but we find newfound joy in all the nieces and nephews running around. Through everything, I love my family and thank God for every day I get with them.
What do you like about painting portraits, compared to you landscape and other works?
Painting a portrait really challenges me to be patient with my work. Emotion is not something you can rush. Every face has a story – and I enjoy using my paint to re-create that story.
Can you recall any specific portraits that had a lasting effect on you?
My brother (who is a photographer), was on a trip to the Philippines a few years back and he took a photo of a young girl. As soon as I saw it, I knew I had to paint her. She was waiting for a bus that took inner-city children to a place where they received a bath and a fresh pair of clothes. I couldn’t get the look on her face out of my head. These are the types of portraits that I would love to paint more of.
Where can we find your work?
Currently you can find my work on my websiteand on Facebook. Starting in May, I will also have work in the FLAGstop Gallery in Fort Langley. To find out more about these shows, you can visit http://www.fortlangleyartistsgroup.com!
You can also learn more about Angela at:
By Alyssa Laube
About: Although Anita has a Degree in Communications, she is currently studying her true passion at New Image College of Fine Arts: makeup artistry! Her dream is to work in the entertainment and fashion industry, and to run her own company where she can apply all of her diverse skills. At this year’s Expo, Anita will be demonstrating her body painting skills for the AWE audience.
You’re a student in Makeup Artistry and Film/Fashion Design. What made you interested in these specific studies, especially film and fashion?
My love for the fine arts started with drawing lessons when I was little. My teacher taught me the fundamentals:drawing straight lines without a ruler, shading, working with different mediums, tracing, colouring, and sketching. Later, myGrade 6 art teacher, Ms. Kolaric, inspired me and taught me new techniques; I learned to create a swan wing out of tissue on construction paper, use a sponge to make a background look like papyrus, and work with paper maché!In the curriculum, Ms. Kolaricintroduced us to Mesopotamian, Greek, and Egyptian history– it was like a grand tour of world art history!
Later, when I worked at the Park (movie) Theatre, I was able to get hands-on experience with creatingsets for the lobby. I replicated scenes from the film that was showing at the time, and even got to recreate some of my favourites: Lord of the Rings and Apocalypse Now! After my cousin graduated from the Visual Arts program at Emily Carr and started working in the film industry, I realized that it’s a great place for me to express my creativity. With film, the sky’s the limit.
My official interest in makeup artistry started in 2008 when I became a volunteer with Anime Evolution. There, I was exposed to many talented cosplayers, photographers, and designers, who led me to pursue my passion as a makeup artist.
How do you think that social media is important for artists?
I have a love/hate relationship with social media. I manage seven social media channels for work and understandhow time consuming – yet important – it can be. It’s a great way to inspire, promote, and catalogue your work. You can use it to create a portfolio, help with your research, and mentor or connect with other artists. Still, one important thing to note is that one should always be careful of what they post. Always show respect and professionalism, as you are on displayall the time!It’s also important to remember that personalization is key; A catch phrase or a logo is what sets you apart from other artists.
Would you suggest your school, New Image College of Fine Arts, to other artists?
Absolutely! The small class sizes at New Image College are great. I’m in an evening class of 10, which I love because we really get to know, learn from, and inspire each other. I also receive more one-on-one time with teachers who provide constructive feedback, help the students realize their potential and turn their ideas into reality. As a whole, the school is responsive and adaptable in regards to problem resolution.When aconcern is raised, the president and teachers sit down with the class to discuss probable solutions. This opens communication between students and teachers, which fosters an inviting environment for all!
How has your education changed your work?
Key assets I learned in makeup school are to be flexible and open to new ideas. Each artist has their own unique style, some of which may extend beyond your comfort zone. When this happens, I embrace it and ask myself, “Why not?” At school, I also learned how to think analytically and ahead, which is critical in the fast-paced and ever-changing makeup industry. After all, you would not want a bride to become “Bridezilla” because you forgot to include extra eyelash glue in her take-away kit!
Where do you get the inspiration for your work?
I get my everyday inspiration mostly from the world of science fiction, fantasy, and Japanese anime, especially goth and punk. When it comes to techniques and mediums for communication, I draw on an art history course I took in university. In particular, the styles of Picasso, Lisa Steele, Yoko Ono, and Jackson Pollock inspire me.I also travel a lot and have been to different places in Europe, Asia, Australia, and North,Central and South America, which inspires my work both visually and expressively. Lastly, my grandfather taught me skills specific to the art of Chinese finger painting, which influences my work as well.
Do you consider yourself to have a niche in the makeup artistry industry?
To quote my Makeup for High Fashion teacher, Tiana Tran, my style is very “avant-garde and colourful”.
Do you cosplay, or help others cosplay?
Yes, I’ve cosplayed as Minion Dave and turned my friend into Minion Kevin from Despicable Me. Other cosplays I’ve done before include Poison Ivy from Batman, Ryuk from Death Note, and Sailor Galaxia from Sailor Moon. In total, each cosplay took me about 48 hours to complete.
What advice would you give to future makeup artists?
Volunteering for events is a good way to network and meet mentors. Jump at the opportunity to work on a gig, even if you don’t feel like you meet the qualifications. Tag team with a classmate or friend so that you can support each other. Keeping a positive attitude also helps, as negativity can affect more than just you. Most importantly, show respect to everyone you work with.
What will you be showing at this year’s expo?
In line with the fairytale theme, I will create a look based on nymphs. In Greek and Latin mythology, a nymph is defined as a minor female deity typically associated with a particular location or landform; They are the spirits who make nature come to life.
How does your personality or interests show in your work?
I love colours, and my favourite is purple, so I use a lot of it in my work.As a person, I’m a happy-go-lucky girl and feel that my work proves that; they’re upbeat, funky, and fun! I also love adventures and experimenting with new things, so the process of creating my art is equally as important to me as the art itself.
Your long-term goal is to have your own company. Can you explain what this would look like, and how/when you plan to get there?
During the next 3 years, I hope to build my repertoire as a makeup artist, event planner and communications specialist. Overall, I want to incorporate all of my skills and provide a one-stop, home-based shop for my clients! I think that the toughest task to do is coming up with a business name and going through all of the administrative and legal procedures.My family owned a floral business for over 20 years, so once the setup is complete, coming up with a business plan will be fun and easy. In 10 years, I hope to have a thriving business and have both local and international clients.
Art World Expo 