Author: monikablichar

Monika Anna Blichar was born in Latina, Italy in July, 1982. After immigrating to Canada in the early 1980’s, the family lived in Red Deer, where they bore a second daughter, and then moved west to B.C. in 1996. Monika has completed a B.A. in English and French from the University of Victoria and has also obtained a teaching credential with the B.C. College of Teachers. Primarily self taught, she has also studied art at Camosun College where she learnt various techniques and strategies in creating contemporary pieces. She continues to pursue creative projects and is exploring various professional opportunities in the arts which include body painting and events coordination. Her interests include the Humanities, writing, traveling, and being outdoors. Art has played a significant part of Monika’s life and continues to be an expression of her flowing imagination, appreciation for beauty, and a reflection of seeing beyond the obvious. Monika is currently living and working in Vancouver, B.C. She is the owner of MAB Ventures Inc., An Arts & Entertainment Agency, and is President of Make and Break Arts Foundation. Her notable projects and initiatives include founding Art World Expo, Diamond Dolls Women's Networking Group, MAB Arts Studio & Boutique Gallery and THE FAB Art Program.

A Flare for a Fashionable Lifestyle-An Interview with Angela Krewenchuk

by Alyssa Laube

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About: Angela Krewenchuk founded her own urban lifestyle website and talent agency, Metro Living Zine, in 2014. It specializes in finding “Urban Experts”. To learn more, visit:

www.metrolivingzine.com.

 

What made you want to launch a site like metrolivingzine.com?

I began to view the traditional idea of fashion as being overly reductionistic. I see fashion as encompassing far more than what we are wearing. Today, fashion can best be conceptualized as what we wear, where and what we eat, who we are sleeping with and why, what we are reading, what social issues interest us, what hobbies inspire us… the list goes on. In effect, fashion is the totality of things that motivate and inspire us.metrolivingzine

You used to work as a Fashion Anthropologist with Retail Insider. How is working at metrolivingzine.com different?

You can’t compare the two. Retail Insider is the most highly respected resource in Canada to obtain the inside scoop on what is happening in the luxury retail market. By contrast, Metro Living Zine is an urban lifestyle publication that specializes in discovering experts in diverse fields ranging from Horticulture to Haute Cuisine. We will be celebrating the soft launch for our talent agency on Saturday, March 07 at the Shangri-La hotel. Come out and celebrate with us! We are working on producing a larger-scale, open talent recruiting call in late August 2015, complete with an after party to celebrate and honour everyones contribution.

How would you describe your style?

Quirky artist. I’m the antithesis of the quintessential tall blonde with long, centre-parted hair sporting Ray-Ban Aviators. I like conceptual designers such as Comme des Garçons, Gucci  circa the Tom Ford years, Balenciaga circa Nicolas Ghesquière, Alexander Wang and of course Christopher Kane. I am a sucker for Camilla Skovgaard shoes and getting super frightened because the teeth on my highly prized Camilla Skovgaard Saw Tooth wedges I bought in 2012 are wearing down and I do not think I will be able to replace them!

 

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How would you describe Vancouvers fashion scene?

Growing! I am super proud of Jamal Abdourahman and his team at Vancouver Fashion Week for putting the Vancouver fashion scene on the international map! I am already counting down the days to Fashion Week in Vancouver March 16-22 at the Queen Elizabeth Theatre. If you have not been, you need to see it to experience it. Every season there is at least one show that brings me to tears by virtue of its utter beauty.

What are your favourite trends, past or present?

High heels, platforms, platforms… oh yeah… and platforms! I wish John Fleuvog would reissue the Black Rubber Soled Absolute Smirnoff bootie I bought in 1993. It was absolute shoe perfection. I could have run a full marathon in those heavenly, comfortable, platform booties. I wore them to shreds and shed bitter tears when at last they fell apart.

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Do you predict any for the future?

International reports have been pushing Culottes and high waisted flares for the past 18 months but I am not sure they will go mainstream. Consumers are afraid to purchase high-waisted flares because they require a total reconfiguration of your silhouette. In order to pull off high-waisted flares you need super high shoes. A complete silhouette overhaul is hard for the average consumer to wrap their minds around. This is why the skinny jean has reigned supreme since 2004. The business of fashion has changed. In the past, designers dictated what the trends were. Now corporate shareholders dictate trends when they look at spreadsheets that say how many units of leopard print dresses moved last season. That is where the bulk of mainstream fashion originates now. Corporate spreadsheets –  not the minds of brilliant creative artists like the late Alexander McQueen.

What draws you to the fashion industry?

I am a quirky, creative artist. I started watching Fashion TV with Jeanie Becker when it first came out in 1985. In Grade 6 art class, I drew a picture of Inès de La Fressange from a Chanel perfume advertisement. This was not normal behaviour for a young girl growing up in Deep Cove in the early 1980`s. I loved the creative escapism fashion offered me.

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Why did you choose to launch an online magazine, rather than a paper copy?

I wanted to save trees and regard digital media as the future for all forms of journalism.

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At metrolivingzine.com, you work with a diverse team of talented individuals. You cover everything from beauty products to social issues! What is it like to collaborate with so many uniquely skilled workers?

I love it. I love reading their articles and am constantly inspired by their points of view. Lara Bolton wrote an excellent article about how to be a better business person. The essence of the article was: if you put garbage into your brain and subsist on a diet of reality TV, your output will be garbage.

The catch phrase of the article was “garbage in – garbage out”, and since I published it 4 months ago, that phrase has run through my head too many times to count.  Ana Badila of Badila Beauty ran a fantastic beauty/fashion editorial series exploring The Seven Deadly Sins that made my heart stop. Mheyah Bailey is a Heart Centred Communications expert who just completed a seven-part series on how to become a better communicator. If you are even Remotely interested in purchasing Real Estate in Vancouver, you need to read ReMax Realtor Melissa Kubek’s home purchasing tips every Saturday. Stay tuned for exciting content coming from our celebrity interviewer, Shannon Little! Finally, it was a huge honour to celebrate the launch of Marilyn R. Wilson’s book, Life Outside the Box. This book made it to the Amazon Best Seller list!

I’d also like to give a shout out to Leah Bolton (Goddess Astrology), Shannon Thompson , Edward Quan (Styledrama), Paul Fitzgerald (See It LIVE Canada), Rodrigo Morales, Eartha Hubbell, Kerry Gibson, Dr. Kumar Shivdasani (Cur Laser), Melissa Kozoma (www.deepsouldiving.com), Ha Na Hussainaly, The World Needs M a.k.a. Monica Morong, Savanna Franklyn, Karen Henry-Maurage, Jack Wass, and Kamantha Naidoo (The Health Babe).

The roster of highly talented MLZ contributors is growing and it is an honour to work with every single one of them. I wanted to create an environment that would inspire me. I don’t want to ever retire.

 

Photography: Sylvester Law

Photo Edits: Cliff Vestegaardcliff: _vestergaard@hotmail.com

A Business With Integrity

A Business With Integrity 

An Interview with Jennifer Daerendinger

By Alyssa Laube

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About: Jennifer Daerendinger, owner of ROAM Gallery in City Square, Vancouver, creates a unique and welcoming atmosphere for emerging artists. She will be running a booth at this year’s expo, where artworks from ROAM will be on display.

What inspired you to open your own art gallery?

I have always had a huge love for art and a number of artist friends who inspire me.  The opportunity to do a show presented itself in December 2013, and because it was a big success, there was a lot of interest to keep doing them for emerging artists.

How did you come up with the name ROAM?

My very good friend and colleague, Colleen Kirk (who owns the PR Firm, The Kirk Group), came up with the name. ROAM was initially suppose to be a “pop up” gallery. We just never left City Square.

What meaning do you find in supporting local artists?

I think that there are a lot of very talented artists in Vancouver and it is often very hard for them to find venues to show in. It’s my pleasure to provide not only the opportunity, but the space for them to show their work. My goal is to help artists market themselves by providing them with the exposure of social media and a show in a non-conventional gallery, giving them the chance to make an event with their art. There is something very special about directly supporting the arts in Vancouver. It is incredibly gratifying for me.

How would you describe the atmosphere in the gallery?

I like to think that the gallery is warm, inviting, fun and has a sense of community. It’s open for the artists that show every month to come in and paint, hang out, invite friends, or whatever else they like. Each show is different, seeing as how the artists really have an impact on what the space becomes and how it is used. Also, I am so lucky to be located in City Square in a beautiful historic building with the modern amenities attached. It has great lighting and an openness that is so complimentary to the art. Overall, the environment is a mix of styles, much like our art in ROAM.

What, to you, is the most important thing about running your own business?

I have had the privilege of working with and learning from some of the best companies in the world, including Chanel and Holt Renfrew. This gallery allows me the opportunity to apply all of that knowledge to my work. I’ve always loved art and dreamt of owning my own business, so the gallery is a perfect fit. It marries art, marketing and commerce.

How has owning the gallery changed you and your life and the lives of others?

I was working in consulting up until the last part of 2014 when, in December, I decided to take all of my energy and focus it on starting my own business. Somewhere along the way, I realized that I had built a successful gallery that was doing really well! I’m always pleased when the artists see their pieces on social media after it is hung and are thrilled with the results. What truly humbles me is that I have had artists show 3 times at ROAM already, which tells me that I am running a business with integrity. Sometime around the third show, people would walk up to me and say, “Are you the gallery owner?” and I would laugh to myself in disbelief and say “Yes, I guess I am!”.

What is it about the Art World Expo that makes you want to join?

 Monika. She’s the Bomb.

More about ROAM Gallery can be seen at:

http://www.roamgallery.com/

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Life and Loss

Life and Loss

An Interview with Uma Sharda

 

by Alyssa Laube

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About: Uma Sharda is a “design specialist in product packaging and labeling”, painter, and overall creator! Raised by Hindu parents, there are spiritual themes to her recent work as well as those focusing on femininity.

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Your “Unborn Series” features images of “babies, hearts, wombs, blood and bone.” Could you explain the meaning behind it?

 

When I think about the unborn, I think of a fetus and womb. The colours, textures and various visuals of bone and blood is fascinating. I think of miscarriages, abortions, life not yet breathing and the heartache and anxiety that can occur in the time of pregnancy. I wanted to distort the simple shape of the heart and use the womb, rib cage and pelvis to depict the twisted feelings of love and loss. I wanted to explore the concept of life incased in bone, muscle and tissue – not knowing the outer world of air and earth. I explore infertility, femininity and whether motherhood is an essential role in a woman’s life.

 

How did your studies in art history impact you?

 

It is great knowing how art developed with human evolution. Not only do I appreciate the complex and various ways we can visually express ourselves, but also the ability to add and extend that knowledge. Personally, art history allows me to explore movements and recognize the visual documentation of how we live, think and understand our reality at any given time. Reading about artists who were exploring similar challenges as I am is fantastic. Seeing their successes and strategies for overcoming them is even more incredible!

 

How was training at Emily Carr in graphic design different?

The culture and way of teaching at Emily Carr is unique; I haven’t met any art or design students from other institutions that have described the same experiences. I learned to be resourceful and ruthless with refining the best idea out of many. My fellow students had diverse backgrounds and we were able to provide many perspectives that challenged and opened each others minds. I learned to define how I get creative ideas, what creativity is, and how others access it.

Does your culture and/or heritage impact your life? How so, particularly in British Columbia?

Of course. Your identity is the lens with which you view life, and I want to be true to myself. I acknowledge the privilege of having Hindu parents and look into what I have learned from the valuable culture they raised me in. I continue to find ways to express being Hindu and born/raised in northern B.C.. A small town like Kitimat was uniquely multicultural with over 20 different languages spoken in a population of 12000.

To expand on the previous question, could you briefly describe your “Lotus Series” and how Hinduism is integrated into your work?

The lotus is a symbol for calm and peace. This was seen in paintings with goddesses holding a lotus in their hand and gods meditating on the flowers in the lake, representing peaceful, not chaotic, minds. Since the lotus rests on the surface of the lake, but has roots below and flowers above, I think of it as an umbilical cord from earth to sky. In my paintings, I take it further: from water to stars. But there are other ways I use Hinduism in my work. The “holy trinity” describes how life is experienced with Shiva the destroyer, Vishnu the preserver and Brahma the creator. The Shiva dancer manipulated time and space and was part of the natural motion of the world. I didn’t want to paint the specific gods and goddesses, but I love the dancer as the force that moves us all through time and space, so I took the positions from Classical Indian dance (Bharatham). Also, I incorporate the “om” sign to provoke a feeling of peace. I currently have my Lotus Moon Dancer series artwork on display at the Naam Restaurant from Jan 20-Mar 3.

What’s your favourite quote and why?

“Do or do not there is no try.” Not every action will show success but every action snowballs into another. This momentum ensures success. When I think I’m trying, I know I’m worrying, and I have to stop myself and say, “Keep it simple – Do or do not.” Failure doesn’t matter.

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Uma Sharda     

cell: 778.893.6144   email: message_uma@yahoo.ca

www.umasharda.com

Uma’s work is currently on display at The Naam Restaurant in Kits. (January 2015-March 2015) Visit The Naam on Facebook: https://www.facebook.com/NAAMRestaurant  

A Natural Connection-An Interview with Bryan Cyr

A Natural Connection
An Interview with Brian Cyr

by Alyssa Laube

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About: Brian Cyr is an award-winning photographer with a passion for nature and outdoor adventure. By capturing the stunning beauty of the West Coast, he hopes to inspire in us an awe for our planet and a motivation to be part of its preservation. Brian also loves to experiment with his camera to encourage viewers to pause and look more closely at the beauty of their natural surroundings; his work is a celebration of our interconnectedness with everything that is around us. To see more about Brian and his work, go to:
http://www.brianccyr.com

You were raised in Ontario, but moved to the West Coast for your photography.
What is it about the coast, and Vancouver, that drew you?

I came here to find work as a stills photographer in the film industry. However, it was the raw beauty of the West Coast that moved me, literally and figuratively. I had flown in looking for work and was in Tofino on a weekend trip. Standing on a headland in Pacific Rim Park in January with waves crashing around me, I experienced
the power of nature in a way I’ve never experienced before. One month afterwards in Toronto, I packed my Toyota with my gear and whatever else I could fit into it, and drove out West. I arrived in Vancouver three days and two speeding tickets later. With so many other wondrous places in our province, it can easily take a lifetime to explore and photograph them all.

What did each job teach you about being a photographer?

My film work taught me to see and understand people better. It taught me about my connection with others. My photography of nature has taught me more about myself and my spiritual connection to the planet and universe. Nature is a place where the ego can be lost or humbled, at very least.

What is “Camera Painting” and how did you first begin to practice it?

Working with slide film in the early years, my approach had been very traditional. The time and cost of processing slide film had constricted my ability to experiment. When I finally made the switch to digital, it became easier to continue work on my earlier projects. This was the time when I developed “camera painting”, which is a technique I continue to experiment with.The camera is moved while shooting long exposures, manipulating time and movement to create painterly images.

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What was it like to win the Focus On Your World competition and be affiliated with the United Nations Environment Program?

Focus On Your World was my very first photography competition. It drew 33,000 entries from 144 countries! There were only four North American winners and I was one of them, winning a bronze. I was blown away. The show travelled to 100 cities around the world, and its final stop was at the United Nations Headquarters in New York, where they flew in the winners for the opening gala. It was amazing to see my photograph amongst all of the incredible work that showed both the beauty of nature and the human impact on it. It was and still is the highlight of my career.

Your earliest work revolves around the relationship between humans and nature. What about this relationship were you trying to convey?

In today’s world, we have lost touch with that spirituality and the search for a deeper connection to something larger than ourselves. We fail to look at the beauty that is right here around us. What I’m trying to convey through my work is our interconnectedness and the beauty of it. Every drop of water, every moment in time, and every creature, great and small, are connected to each other and everything else in the universe. One without the other is just a lesser whole.

What is your goal as a photographer?

My goal as a photographer is for my career to reach a point where it can allow me to travel the world and live my passion, which would be to do more photography! I want to share my work with those who appreciate the uniqueness of our planet. I want my work to evoke emotions strong enough to motivate us to make the preservation of our planet paramount.

What do you believe sets you apart from other photographers?

The uniqueness of my photography is in my experimentation with the interplay of
time and movement, physical and illusory, to create painterly images.

For more information about Brian’s work, please visit http://www.brianccyr.com/ 

TWIN PEAKS CONSTRUCTION-Building The Future

Twin Peaks Construction-Building the Future

by Monika Blichar, Art World Expo TM Founder

 

When I had the initial vision for Art World Expo, Rob Brody was one of the first who told me that I could do anything. From the start of the show in 2010, Twin Peaks Construction; a West Vancouver based full service construction and renovation company, has been supporting this annual event in numerous ways.  A reputable and reliable company, we highlight the Vancouver General Contracting company and their annual contribution to the Vancouver art scene

For more information, visit Twin Peaks at www.twinpeaksconstruction.com

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“At Twin Peaks, we try to minimize the stress of construction by creating a smooth process, from start to finish. We pride ourselves on the fact that we keep construction inconvenience to a minimum as well as we keep the rooms tidy at the end of each day.”

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As experts in the Vancouver General Contracting industry, Twin Peaks team is formed by a team of real professionals, with a solid track record of getting the job done, on budget and on time. Their years of experience allow them to factor in potential delays and issues that may potentially occur. From their transparency in all aspects of general contracting, their transparency, trust and high quality craftsmanship are only some of the reasons why this company is truly building the future both in their industry and via community initiatives. Twin Peaks not only manages multiple projects simultaneously, but within the organization you will find some of the most unique and hard working individuals that the construction industry has to offer.

Not only does this company have the experience and professional accreditation to give each client a comprehensive and reliable service that is unparalleled, they are also big on giving back. Twin Peaks generously supports Art World Expo, annually contributing to the success of many areas of the event. From transportation of equipment, to heavy lifting, general event duties and sponsorship, our event would just not be as successful as it is without these guys! In addition, Twin Peaks not only helps the arts in Vancouver, but also annually contributes to the needs at the North Vancouver Salvation Army where they have sponsored hundreds of Turkey dinners and also helped with the church maintenance for the past several years. These guys are truly an example of giving back to the community in order to see the success of all who live, work and enjoy our beautiful and colorful city.

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A contractor’s word is his most valuable asset, second only to the skill and expertise of his team. The way they approach any residential, commercial or community project gives all of their clients and associates a security that they can trust on for years to come.

At Art World Expo, we are extremely fortunate to work with this team and are super grateful for their years of contribution!

 

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Book a complimentary consultation with Twin Peaks. After your free onsite consultation, they’ll provide a comprehensive, no-obligation estimate. Call us today: 778 882 8001.

 

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Volunteer at Art World Expo TM 2015!

Are you a lover of the arts and culture? Do you enjoy meeting new people and working in a creative environment?

If so, we are looking for you!

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ART WORLD EXPO 2015-Dedicated Volunteers Needed!

VOLUNTEERS NEEDED FOR ART WORLD EXPO 2015! Our 5th ANNIVERSARY!

Event Date: May 1, 2015

We need help to make this show amazing in celebration of our 5th anniversary special edition!

Event Management, promotions, fundraising and ongoing social media volunteers needed!

*Opportunities to work with Film and TV Producers, Specialized Arts & Entertainment Companies, Artists, Jewelers, Designers, Sculptors and More!*

We will have several events and campaigns throughout the year to make this 4th installment as magical and creative as possible!

-Marketing
-Film & Segment TV Production
-Studio Interns & Volunteers
-Local & International Fundraising Initiatives

ART WORLD EXPO EVENT VOLUNTEERS:
-DOOR
-TICKET
-USHERS
-LOADING/UNLOADING
-GENERAL CUSTOMER SERVICE
-RAFFLE TICKETS
-GENERAL CLEAN UP
-ARTIST SET UP HELP
-ONGOING FUNDRAISING

MAB Ventures Inc. is pleased to produce the 5th Annual Art World Expo. We are looking for reliable and ethical volunteers who are interested in volunteering at this large scale event featuring over 100 artists, designers, body painters, installation artists and more. This event is one of a kind and has to date featured over 400 artists!

If you are interested in volunteering, please send your resume to us at artworldexpo@gmail.com. A semi-formal 30 minute interview is required prior to becoming a volunteer. Selected applicants should be prepared to submit three references.

Volunteers will receive:
-swag bags with products and service discounts
-free painting lesson(s) at MAB Art Studio & Boutique Gallery
-Reference Letter upon successful completion of volunteer assignment(s)
-Opportunities to work, network and learn from industry professionals

-commission based ticket sales opportunities via affiliate programs

This event is a one of a kind experience that happens once a year. We are looking for volunteers who are able to commit to a shift from 4:30 pm-12:30 am or 6:30 pm-2:30 am in addition to a two hour weekly effort in any of the above area. Hours needed for this event can be done in studio, online or at events/initiatives leading up to the event and vary in duties from social media marketing, handing out flyers, fundraising and gallery/promotion set up/take down in our studio or in the community. We ask that all volunteers commit to a three month minimum commitment at the eight hour minimum. If you are a volunteer interested in only working at the event or have a specific schedule/availability, please specify in your initial email. We look forward to hearing from you!

The Power of the Female Form-Rudolf Sokolovski

An Interview with Rudolf Sokolovski

by Alyssa Laube 

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About: Rudolf Sokolovski is a talented sculptor whose work is influenced by linear expressionism, the female form, and those he admires. Rudolf specializes in portraying the subjects of his portraits as a fusion of their physicality and spirituality, striking a fragile balance between the two and making his work impactful and unique. To learn more about Rudolf and his work, visit:

http://www.modernsculpture.ca/

 

Q: You define your art as “Tectonics and Linear Expressionism”. Can you explain what this means in simpler terms, and how your work fits into this genre?

 A: Linear Expressionism refers to rhythmic lines and the flow of forms to express emotion. I believe the father of this style is a French artist by the name of Jean Claude. Some of my pieces do have clear linear elements, but to say all my compositions fall under this style would be inaccurate. In any case, the type of style my artwork falls under is not important to me. What is important is that I am able to express my energy and feelings in my compositions.

Q: When you create a portrait, would you say that it’s more a product of the subject physically, or personally?

A: I like sculpting interesting faces, ones that have character. The physical structure of a face helps make an interesting portrait but ultimately it’s the personality that drives character.

Creating true portraits is an intimate affair, and also a very difficult one to do correctly. Sculpting a portrait that looks like the person is not hard, but capturing the person’s true essence is very hard to do. I’ve destroyed a number of finished portraits because I didn’t think the composition portrayed the person in the right way.

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Q: Has your work helped you to understand people better, or in a new way?

A: I tend to look at people somewhat differently. My mind is always studying structure, movement, and gesture when I look at and talk to people, and this helps me in creating my art. I don’t know if it has helped me understand people better, as half the time I’m trying to understand myself, but I pay a lot of attention to body language because I find it’s a truer form of expression than speaking.

Q: In your About page, you mentioned that you’ve been inspired by Mahatma Gandhi and Che Guevara. Who do you look up to the most in your current life and why?

A: The people that inspire me have lived a pure life and worked to achieve greatness in their own right, be it composers, athletes, or artists. My father, Valeri, inspires me greatly. He is truly one of the great masters, and I’m very excited that we will be exhibiting together.

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Q: Is your interest in Gandhi and Che a reflection of your spiritual and political beliefs?

A: Gandhi and Che are both remarkable individuals. They are such polar opposites in their personality and means, but ultimately they are both a symbol of freedom. My whole life I’ve been searching for the meaning of freedom. It’s something in my blood; something that has been passed down to me.

Q: Can you explain what you mean when you speak of the power of women, and what it means to you both personally and artistically?

A: Some will say that we live in a man’s world. But whether or not you want to admit it, the fact of the matter is that women are the driving force of evolution. It is a Yin-Yang relationship, two moving parts. Take women out of the equation and life becomes meaningless.

We are part biological and part spiritual beings. Aesthetically, the beauty of the female form is unparalleled; the gentleness of every bend and curve, the gracefulness of her flow. Human beings are visual creatures.

Telling Life Stories

An Interview with Marilyn R. Wilson

by Alyssa Laube

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About: Marilyn Wilson is a passionate editor, writer, blogger, and author of her book – a collection of interviews – titled “Life Outside the Box”. Her editorial and composition work is under Raine Magazine, stationed in New York, and she works with Influence Publishing as an author. Marilyn covers a wide variety of subjects, but is highly involved in the fashion industry.

 

What is it about meeting new people that fascinates you so deeply, and why do you feel that it is necessary?

I cannot remember when the fascination with other people’s lives started. It’s been a part of my core being from the time I was very young, but I truly became aware of it during my first interview. I had goosebumps and little bells went off in my head any time something important was said! It is only now, looking back over the last 8-9 years, that I realize how much it has changed me. I learned how others have lived and faced success and adversity. They bring me concepts that guide my life such as Ujamaah (cooperative economics – we raise our success together) and Wabi Sabi (the Japanese concept of finding beauty in imperfection). I have learned self-acceptance for my own personal journey. Why it is necessary to tell these stories is more complicated. For me personally, if I do not share them, I do not get to interview and my life becomes much smaller and more limited. For others, I truly believe that it’s the stories of how real people live that will define our times. Reality TV will fade away as 80% irrelevant, and in its place, historians will look to those who offered a better picture of how we lived.

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How has it changed your life, personally? If there are any specific interviews from Life Outside The Box, please don’t hesitate to include them if you wish!

Some I mentioned above. Another that I didn’t came from my interview with Geir Ness. He is a tidal wave of positive energy who always pursued his dreams. I have more insecurities and struggle with procrastination. After hearing him talk about his life for over an hour, I commented on this. How can those of us without that incredible positive energy and unlimited drive face our shortcomings? His answer was to surround ourselves with people who help support us in areas of weakness. That, plus the concept of Ujamaa, pushed me to create a positive circle of friends and elevated me and to sign with Influence. It also helped me let go of people and decisions that created a negative energy. This is not easy for me, as I was raised to be everything to everyone, but necessary for me to succeed in my life’s purpose.

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Life Outside the Box-Click to Purchase on Amazon

There are ten people featured in your book. Why did you choose those ten, out of every interview you’ve conducted?

 Over the last 8-9 years I have been privileged enough to interview well over 100 people – perhaps over 150. But because the articles needed to go into print – as well as my access to people – they fall heavily within the fashion community. While I love fashion, my interest is not actually fashion writing. I love to interview a wide range of people. So, for this book, I had to reach deep to have a true variety of lives. That’s what it’s all about for me. There is no one right way to live your life, no one right path to follow, and no definition of success that fits all of us. Embrace your journey.

 

How did interviewing so many interesting, hard-working professionals change your outlook and work?

Each was like a facet of a diamond. You start way too close with the diamond right at your eye and only see the one side. Each interview required a step back to see a little more of the diamond – and myself reflected in it. One day I suddenly realized I looking at who I was, what I wanted, and who I chose to associate with in a whole new way. The hardest part for me was learning to let go of those who brought a lot of negative energy into my life. I don’t mean friends or family who are struggling – I mean those who do not appreciate you for the talents you have and for what you bring to the relationship. It’s okay to let those fade, as it’s not beneficial for them either.

 

The idea that “there is no such thing as a normal way to live your life, and no one right solution to any problem”, as written in your article with Influence Publishing, is not an easy lesson to learn. What do you believe brought you to this revelation?

Sheer numbers. Period. When you’ve interviewed over 100 people living fulfilling, unique lives, it’s hard to hold on to absolutes. When you allow yourself to follow your inner intuition and find your own path, it quickly becomes obvious that it’s the right way to go. We only fight this because the outside world tells us what we should want and strive for in terms of success. It puts pressure on us to comply. In contrast, the intuitive mind can offer answers that are truly unique.

 

I imagine that learning that lesson has changed your life enormously. How so?

Some days yes – some days no. I didn’t start interviewing until I was 49 and you don’t wash away that many years of conditioning easily. Surrounding yourself with friends, family and business associates that you have an Ujamaa relationship with is so important. They want the best for you. You want the best for them. It’s by being in a supportive community that we can deal with the highs and lows and keep our focus.

 

Why did you choose Influence Publishing to partner with, over another company?

One of my friends, who became a zen chaplain, told me that when her future mentor walked into the room, she felt her presence without even turning around. I had a similar experience with the founder of Influence, Julie Salisbury. Out of the blue one night, I bought a ticket to a women’s networking event – something I never do – because a publisher was speaking. From the moment Julie began to speak, I was overcome with emotion and had tears in my eyes. You have to know me to know how out of character this was. But the words of my friend, the zen chaplain, came back to me. I met Julie in person to talk about my ideas and from the moment I saw her, I had the same feeling. That’s the true story. On the business side – hybrid publishing works for me. I get to keep full rights to my work, pay an affordable set fee contract, have their support for marketing/media, and access their US distributor.

 

How are/were you involved in the fashion industry?

After Gestalt Magazine, my first opportunity to write fashion articles, folded, I advertised on Craigslist and connected with a photographer. He wanted to start a local fashion magazine focused on the amazing professionals we have working in the industry. I was introduced to artists from all over the world through nearby fashion weeks, which then led me to connect with Raine Magazine in NYC. Working with Raine has allowed me to have a slightly wider range of articles. I have even covered an international sand castle builder! They have also been my greatest connection to some very high end artists.

 

Can you explain how you chose the name for your website, http://http://www.oliobymarilyn.com/?

My website is actually a funny story. I was feeling a bit boxed only writing on fashion artists and events. When I complained to a friend, she suggested I start a blog. I think I actually laughed. I hated blogs as they were mostly pictures with just a few lines of writing. Nevertheless, she pointed out that it could just be a place to put writing. If getting a few hits inspired me, what a great option! I searched my name and found way too many Marilyn Wilson’s – my first preference. I chose Olio, because this was just meant to be a hodge-podge of writing for the sheer fun of it. Never in my wildest dreams did I think it would become my main writing venue and receive up to 17,000 hits in a month. It doesn’t follow the rules, it isn’t on a specific topic. I write often sometimes and only occasionally others. Why it is finding an audience – I actually have no idea!

 

Do you have any advice, not only for myself, but for others? This could be professionally, or simply words of wisdom.

This is the best advice I ever received and it’s in my book. William Orlowski is a Canadian Tap icon who has toured the world. He struggles with Dystonia which has limited what he can do – but continues to find work that is fulfilling. When I asked him his definition of success, this was his answer. It still gives me goosebumps; ”There is no secret. Just do and be brave.”

 

You’ve said that you are constantly changing, as you learn something new with each interview. Is this something you want to do for the rest of your life?

As I am heading into a new decade in January, this is a troublesome question. At my age, no one knows how long they have when it comes to health and/or mental sharpness. I cannot imagine my life without interviewing and writing, but the journey we are on as human beings means we end up facing limitations. I am encouraged by the longevity of American-Irish sci-fi author Anne McCaffrey as well as Grandma Moses who didn’t start painting in earnest until the age of 78. There is always hope. But when the end comes, the hope is that I have encouraged others to embrace telling the life stories of real people with real lives. I promise – it will change you.

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To learn more about Marilyn, visit http://www.oliobymarilyn.com/

Making Life Interesting-An Interview with Carolyn Bruce

An Interview with Steampunk Designer Carolyn Bruce

by Alyssa Laube

 

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Photo Credit https://www.facebook.com/ZedStudio7

 

1. How would you describe your business, The Painted Cookie & Carolyn Bruce Designs?

The Painted Cookie is craft-based…papier mache masks and animals, tea giftware, designer tea infusers and tea related items of jewellery and decoration.

2. How did you get started in crafts and designing?

Carolyn Bruce Designs is jewellery based, the majority is my twist on Steampunk; Jules Verne meets Queen Victoria…statement pieces of wearable art…embellished boots and robot jewellery…

3. Were you influenced as an artist by your family or home town?

25 years ago as a stay-at-home-mother…it was a necessity to make ends meet and it has now developed into a full-time career path…

4.You design quite the variety of products. With so many unique ideas, how do you keep yourself inspired?

Inspiration is everywhere…one only needs to touch something and the process begins automatically…often at an alarming speed…not something one can turn off…my mind is at least a year ahead of my physical capabilities…

5.Who was your main inspiration growing up and how has it changed from then?

Entrepreneurial parents who were into Pottery and Oriental Art…they still continue to inspire me to work hard and push myself.

6. How have you developed as an artist, both professionally and personally?

In the last 3 years I have started to gain confidence in myself and my work and have pushed through many fears and dived head first into jewellery…self-taught…I am ignoring the jewellery stereotypes and naysayers and going where my creativity takes me…TRUSTING MYSELF!

7. How did you receive your training?

I am trained as a designer…industrial and interior…worked as a graphic designer both here and in NZ…a lot of my training has been on the job experience.

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Photo Credit Cogit Ergo Shoot https://www.facebook.com/pages/CogitoErgoShoot-mel-buenaventura-photography

 

8. Do you like experimenting with your art and if so, in what ways?

Yes…love to use non-conventional materials and everyday items in unconventional ways…I use many organic pieces such as branches and rocks in my work…

9. What type of environment do you prefer to work in (ie: a studio, home, etc.)?

I work in my studio…which is in total chaos most of the time…I do not thrive in a tidy restrictive environment…

10. Where do you get inspiration for your art?

Anywhere and everywhere…ideas jump off the page of the newspaper…someone’s conversation…the thrift shop…exposing oneself to other environments and cultures…always have an open mind to possibilities…and they will come to you…

11. Do you have a favorite memory that has come out of your business?

A memory of how many people said it was stupid and what I wanted to do was impossible…I love a challenge and will try anything and look forward to seeing their faces one day…

12. What is your favorite (and least favorite) thing about being an artist?

Favourite…work on your own schedule …create all day long…

Least Favourite…inconsistent flow of money …criticism of ”friends” who think you are insane…!!!

13. Did you always want to be an artist? If not, what did you want to be and  when/why did you change your mind?

Yes…have made art in various mediums since I was 3 or 4…loved to make things and my mother would sell them to stores…

I wanted to be an architect but physics…a prerequisite…was not my forte…so went to Design School instead…

 

 …Art is an ever-evolving process and as an artist one is always changing…makes life interesting…

Visit Carolyn’s Facebook Page for more information: https://www.facebook.com/paintedcookie